A four hour wedding disc jockey and master of ceremonies booking for receptions in Dublin, California, with dinner music covered and backup gear always on site. The sound system is rated for a medium room, 50 to 150 guests, which is the first thing to check against your headcount.
50 to 150 guests, and four hours to fill
The rig also works with a venue sound system where a room already has one installed, and it runs indoors or outdoors. Up to four hours of service is included, dinner music inside that window rather than billed beside it. Most receptions of that length follow a familiar arc: arrivals, dinner, toasts, a first dance, then the floor opening. Four hours holds that shape without slack, so the
A four hour wedding disc jockey and master of ceremonies booking for receptions in Dublin, California, with dinner music covered and backup gear always on site. The sound system is rated for a medium room, 50 to 150 guests, which is the first thing to check against your headcount.
50 to 150 guests, and four hours to fill
The rig also works with a venue sound system where a room already has one installed, and it runs indoors or outdoors. Up to four hours of service is included, dinner music inside that window rather than billed beside it. Most receptions of that length follow a familiar arc: arrivals, dinner, toasts, a first dance, then the floor opening. Four hours holds that shape without slack, so the planning question is what to protect, not what to add.
Bilingual hosting at no surcharge
Multilingual ceremonies and bilingual MC delivery are accommodated in English, Portuguese or Spanish at no surcharge. For a family running the room in two languages, that is a stated inclusion rather than a quoted extra, and it removes the awkward arrangement where a relative is drafted to translate the announcements. The same operation carries experience across Filipino, Mexican, Brazilian, Portuguese, Chinese, Japanese, Korean, Indian and African American family traditions, and is unreservedly welcoming to LGBTQ+ couples.
What the host actually calls
The master of ceremonies work covers the grand entrance, the first dance, parent dances, toasts, cake cutting, bouquet toss, garter toss, and any cultural traditions you want woven in. One person holds both the microphone and the music, so an announcement and the track behind it are cued together rather than negotiated across two vendors. An open format host reads the crowd live, segues between genres without dropping the energy, and works the bridal party and the parents of the couple to keep momentum through the night.
The library and the planner
The music library spans Top 40, hip hop and R and B, EDM, house, classic rock, country, Latin and reggaeton, salsa and bachata, afrobeats, Bollywood, oldies and decade by decade throwbacks. A pre event planning consultation and an online planning portal let you choose the song for every marked moment: a do not play list, a must play list of up to thirty songs, separate playlists for cocktails, dinner and dancing, and timing cues for the processional and recessional.
Requests on the night
Guest requests are accepted in person at the booth, and written request cards are supported for guests who would rather not approach it. Clean radio edits are available on request where the room is family friendly. Requests are weighed against the planner rather than overriding it.
Backup gear, stated rather than assumed
Backup equipment is always on site, and all gear is commercial grade. Naming it is the honest version, because live sound has a short list of single points of failure and a rig with no spare turns any one of them into silence. A spare on the truck makes a failure a pause of moments instead of the end of the dancing.
Arrival, setup and dress
Setup and breakdown are handled by the DJ, who arrives at least one hour before the ceremony or cocktail hour, in formal attire for the wedding. Booth lighting is included; dance floor lighting and moving head lights are available as add ons if you want the floor itself lit. Booked as dj services for the reception, the scope is clear from the outset. As a mobile dj operation everything needed arrives with the booking, so the venue supplies access and power rather than equipment.
Travel, holding the date and changes
Coverage runs across Dublin and the surrounding Bay Area with a free travel radius of thirty miles; events beyond it carry a mileage fee quoted before the date is held, events must be in the immediate Bay Area, and Peninsula and San Francisco dates are quoted separately. Send your date, venue and rough guest count to open an inquiry; a signed agreement and deposit secure it, then a planning questionnaire follows. One date change is accommodated without a fee subject to availability; later moves carry an administrative fee, and cancellations inside thirty days forfeit the booked amount. The booking is delivered by a solo DJ. General liability insurance is carried.
Venue access and how the listed price is set
Adequate access is required at the venue: parking, a doorway of thirty six inches or wider, and a table or power within twenty five feet. Listed prices reflect events of one hundred guests or fewer during morning and daytime hours; evening events, or events with more than one hundred guests, are quoted at adjusted pricing on inquiry. The listing's booking panel shows a group size of twenty to three hundred guests, which is wider than the vendor's own guest count and time of day term above. Inquiries for Friday to Sunday weekend dates ideally arrive at least three to four months in advance, and weekday events often accommodate two to four weeks notice subject to availability.
